What exactly goes into call sheet? Which producer’s names go on the top? Where do you put the parking details? Is the lunch menu listed? Fret not, gentle reader.Continue reading The Anatomy of a Call Sheet: How to Make a Call Sheet for Film and TV
Don’t want to fall behind the shooting schedule? Here’s how you can load in and load out more effectively when filming on location.Continue reading How to Load In & Out Without Falling Behind Schedule
Call sheet protocols vary depending on the scale and type of production (documentary, narrative, still, commercial, live etc.). In this article we outline how call sheets are approved on features and television projects.Continue reading How Call Sheets are Approved on Features and Television Shows
Abbreviated DPR or just PR, the daily production report might be the most important documents a producer looks at every day. From video agencies to indie productions, having a up-to-date DPR is necessary for assessing progress, catching inefficiencies, and tracking each production daily expense. In our post, we cover the process with our free production report template… Continue reading The Daily Production Report Explained (with FREE production report template)
Filmmaking by its very nature is very counteractive toward sustainability. Sets and props are temporarily built, special effects cause chaos, and don’t get us started on plastic water bottles. But green film production is not a myth. Being sustainable with your productions may seem like a daunting task, but with the right steps, it’s very… Continue reading 13 Steps Towards Green Film Production We Can All Take
Filmmaking is not for the faint-of-heart. It is only a matter of time before you work a project that truly tests the limits of your body; the dreaded night shoot. Whether you’re an AD or Producer, we’ll cover production hacks to help you better manage your set during an all-nighter.Continue reading Night Shooting Survival Guide
Utilizing spreadsheet formulas for call times can speed up the process of creating call sheets, but for many AD’s and Production Unit folks, formulas can be intimidating. In this article, we’re going to show you how to setup Excel formulas for staggering call times automatically.Continue reading Staggering Call Time Formulas for Your Next Call Sheet
Call sheet formats can vary dramatically depending on the type of project (documentary, narrative, still, commercial, live etc.). We talked to two 1st ADs about their process of creating call sheets and getting them approved.Continue reading How Call Sheets are Approved on Short Form, Music Videos, and Commercials
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Assistant Directors (the 1st AD) are one of the most valuable crew members on any production. Your 1st AD is responsible for on-set communication, department coordination, maintaining the shooting schedule, conflict resolution, and safety. Continue reading 13 Ways You Can Become a Better 1st AD
Successfully running a film set requires very specific leadership skills. Vince Duque, 1st Assistant Director to projects like “House” and “Battle Creek” shares 11 Leadership Principles he learned in the US Marine Corp, and how they can be repurposed as core filmmaking tips for directors and line producers to become more effective leaders on set.Continue… Continue reading 11 Ways to Become a Better Producer or Director on Set
Production is not for the faint of heart. Long hours, physical strain, and emotional exhaustion are part of the job. Stress can bring out the worst in people, and when you have to work with difficult talent and crew on set, a production can can go south quickly.Continue reading 3 Ways To Work With Difficult… Continue reading 3 Ways To Work With Difficult Talent and Crew On Set